Since his first gig at The Jazz Gallery in 2000, Miguel Zenón has been an integral part of the Gallery community. Countless concerts, residencies, events… He and his wife even had their baby shower here. The Jazz Gallery, says Miguel, is his home in New York. Currently in Puerto Rico, Miguel spoke with us via phone about how his life has changed since the pandemic, and got us up to speed on all of his new online projects.
The Jazz Gallery: Thanks for making a little time, Miguel. How are you doing? Are the people you know healthy and safe?
Miguel Zenón: Yeah, we’re okay. I have some friends and some family members who have gotten sick at some point, my brother and his girlfriend actually work in a hospital. They got infected but made it through okay. We’ve had a few friends get it too, but nothing major. My family and I are down in Puerto Rico now, and we’re going to spend the rest of the summer here.
TJG: Walk me back to February, when things started to change. Were you in New York at the time?
MZ: I was on tour. The first cases surfaced in the Seattle area, and I was in Seattle that day, which is how I know [laughs]. We were flying around on the west coast, from San Diego or some place. At first we thought it would be fine, similar to SARS or other big scares like that at the beginning. I teach at Manhattan School and NEC, so I went back home, kept doing my thing, checking in with people, making sure everything was okay. At a certain point, it all shut down. In early March I was playing at Birdland with a student band put together by Berklee College of Music. We were supposed to go to Boston after the Birdland gig, but then the school cancelled the concert and told me that things were about to shut down. Everything started closing. Gigs, schools, everything in the states, overseas. It became obvious that this was a different situation.
TJG: So by that point you were back at your place in New York?
MZ: Yeah, and I didn’t travel again. I might have gone to Boston once to teach at NEC before they closed. But then it was all shut down. The red flag, for me, was seeing how far in advance things were getting cancelled. It was early March and all the summer festivals started cancelling. It was obvious that this is going to last awhile.
TJG: What were some major dates that were cancelled? I know you had a Vanguard lineup.
MZ: A lot, a lot, a lot… All in all, I probably lost $40,000 in cancellations. Everything from international gigs, things with my own band, gigs with other people, pretty much everything. It’s going to be the whole year. It’s a lot.
TJG: With all the cancellations coming in, how did you proceed? Did you just watch the emails flow?
MZ: Pretty much. I checked in with people right away. This is such an unprecedented thing. Most venues didn’t know how to deal with it. A lot of times, if something gets cancelled, you’ll get part of the fee, but this situation has never happened in our lifetimes.
TJG: You mentioned you lost about $40k, does that put you and your family in a tough spot? Have you been able to apply for different grants?
MZ: Of course, we’re in a tough spot. But I have some teaching gigs which kept going remotely. Because of that, I was able to keep that income. Also, I’m an artist-in-residence at the Zuckerman Institute at Columbia University. That was set in stone, and I can do that remotely too. Between those three gigs, I was able to stay above water. And because I was traveling a lot less, I was saving a lot more money. So I was able to balance things out. But there are many musicians who live exclusively off gigs, and those musicians are having a really rough time. Everything got cancelled. If you just live off gigs, you don’t have a lot of options.