On Thursday, November 7, 2019, alto saxophonist and EWIer Alfredo Colon returns to The Jazz Gallery for a debut presentation and live recording of Lookalike, a trio featuring Colon alongside bassist Steve Williams and drummer Henry Mermer. In recent years, Colon has been turning heads playing in the post-vaporwave collective Secret Mall and leading his own projects, most recently Big Head, a quartet with pianist Jacob Sacks, bassist Nick Dunston, and drummer Connor Parks. We caught up with Colon by phone to discuss his new trio and its inspirations.
The Jazz Gallery: What have you been up to since your last performance at the Gallery back in June?
Alfredo Colon: I’ve just been trying to write as much music as possible lately. I’m a person who has a ton of ideas and in the past didn’t commit to them, so my thing this year has been—I’ve been having a lot of moments when I’m like, “This will be cool”—so I’ve been trying to get the ball rolling with whatever that may be and committing to it.
TJG: When did you, Steve, and Henry first play together?
AC: Probably early this year, around May. We just got together and played free at New School.
I always like when I get together and improvise with people, then listen back to the recording and it sounds like something written. There’s intention to everything, everyone’s present; it’s not sqounking about, just making noise. I ended up writing some material that fit the vibe. Steve and Henry brought some compositions, and it’s become its own thing now.
TJG: That reminds me of a thing I heard Steve Lehman say about composing, which was that he sometimes found inspiration from listening back to recordings and expanding from particular improvised moments. Are there songs that you wrote with a similar approach?
AC: Yeah, there’s quite a few of them. The thing is, these guys always get me to play something that I otherwise wouldn’t: Steve is a master of rhythm, so he’s always got something that can either throw me off or push me in a direction I’ve never gone in before. Henry’s kind of a mysterious player, so the way the two play forces me to play stuff I usually don’t.
There’s a song that’s the opener of the set, which is from a moment I played with them. Some of the lines I played were very me, but not me, I guess. I transcribed them and they became the melody for one of the tunes in the tunes you’ll hear on the 7th.