Despite the pandemic performance freeze, vibraphonist Joel Ross has been able to forge a path forward with friends and community. Recently, Ross received a commission from the Jazz Coalition supporting his continued writing and playing, even while in lockdown.
Ross is an integral member of The Jazz Gallery community, having been commissioned and featured on-stage and in the blog many times. He spoke with us via phone in anticipation of a big event: The first livestream trio concert from the Gallery stage, which takes place tonight featuring drummer Jeremy Dutton and bassist Or Baraket.
The Jazz Gallery: Hey Joel, where are you living right now?
Joel Ross: I’m in Brooklyn, I’ve stayed here this whole time, from the start. I live with two other musicians, but they both left. My girlfriend Gabrielle Garo and her family live about ten minutes from me, so I’ve been staying back and forth between their place and mine.
TJG: I’m sure you miss your roommates, but it’s nice that you have some space.
JR: Exactly [laughs]. It’s been nice playing with Gabrielle, and being close with her and her family. It would have been a lot worse if I were alone.
TJG: Tell me a little about how things have been for you. Take me back to February, when things started to look shaky.
JR: My band Good Vibes was finishing an east coast tour, and in the last week of February I was in Slovenia at the Creative Jazz Clinic Velenje camp with Jure Pukl. The first week of March we went on tour, and when we got back I was supposed to have some gigs around the 13th, 14th and 15th. That was when Europe started to get crazy with the virus. My last gig was on the 10th–I was a guest with the Brubeck Institute, one of my alma maters–and after that, some of our gigs got cancelled. One was supposed to be in LA, where my girlfriend was recording. I still went out there, thinking I could just chill with her, and we were planning to spend a week there, but around the 17th, LA completely shut down. We saw that New York was about to shut down. So we hurried up and flew back, and have been quarantining in Brooklyn ever since.
Like I was saying, it’s nice to have another musician to play music with. Before this, we were so busy. I was always on the road, she was finishing her masters, and now this is a dedicated time for us to play with each other, work out some ideas. We’ve been recording some things, duet videos for some commissions, it’s been nice in that regard.
TJG: Did you have things on the schedule for these and upcoming months that you were looking forward to?
JR: [Laughs]… Oh, yes. In March, I was supposed to go to Spain, and Good Vibes was supposed to go to Africa, to Cape Town for the jazz festival. I was sad to see that one not happen. There were some other gigs cancelled, another tour cancelled… I was supposed to go back to Chicago for a few days for a gig with Vijay Iyer. Some recording projects were cancelled too.
TJG: But you’ve been able to fill the time with meaningful stuff?
JR: I’ve kept writing. These types of situation don’t change my need to keep writing and creating. In general I’m able to keep a good attitude about things, and it hasn’t altered my ability to put out music. I’ve written a good amount of music and arranged some things. I got a commission grant from the Jazz Coalition, and a lot of the music I’ve been working on has gone toward that. It’s been good to get things done and have something to work towards.
I did another project through the Gabriela Lena Frank Academy where a classical composer wrote a piece for vibraphone–I’m using it as a challenge, since I don’t usually like to do four-mallet stuff. I talked with the composer and told him I could do three mallets, and he was cool with it, so it’s been a good opportunity to do three mallet with my right hand instead of my left, which I usually do.