For the first time in over a decade, Massimo Biolcati is releasing a new record as a bandleader. Biolcati is known as a producer, composer, sideman, co-founder of Gilfema (a trio featuring Ferenc Nemeth and Lionel Loueke), and developer of the iReal Pro app. The Swedish/Italian bassist has lived in New York for quite some time, and has logged tours with Paquito D’Rivera, Terence Blanchard, Ravi Coltrane, Lizz Wright, and Luciana Souza. The new record, Incontre, is slated for release on January 24th, and features Dayna Stephens on saxophones, Sam Yahel on piano and organ, and Jongkuk Kim on drums. For our recent interview covering the new album and the iReal Pro app, read on.
TJG: Where and how does Incontre fit into your other projects? I know you’re busy with a lot of things, including your trio Gilfema with Ferenc Nemeth and Lionel Loueke.
MB: Yes, I’ve been playing a lot with Lionel, mostly in the Lionel Loueke trio configuration. We also have a more collaborative band, Gilfema, where I contribute compositions. This new band on the recording is my own band. I decided everything, took on all band-leading duties. Last year, I decided it was time to record another record as a bandleader. It had been about ten years, and as a bass player, one gets spoiled being called as a sideman on many projects: Sometimes it’s easy to get lazy and feel like you’re playing enough good music as it is, and I’ve been lucky to play with great people. But I felt it was time to record some music I’ve been writing throughout the years, so I decided to go into the studio. I looked to some musicians I’d played with in the past, as well as newer young musicians I’ve discovered recently. It was a nice combination.
TJG: Talk to me about the band.
MB: I’ve been playing with Sam on and off through the years. I love his playing. He also plays organ, and he’s gone deep with it, so he knows all about it. I like the idea of having that option as another color. Sam plays organ on several tracks. I’ve known Dayna since back in the day. We went to Berklee College together, then went to the Monk Institute together in 2001. He’s got such an earthy, soulful sound. He’s a beautiful person as well, which is so important when you’re making music with other people. JK is a young drummer who also went to Berklee, he’s in his mid-twenties. We started playing a few gigs here and there. I love his playing, he’s great. His groove is incredible, his listening skills are something I look for in a drummer. He’s truly in the moment, reactive, listens carefully.
TJG: How did Jongkuk Kim get on your radar?
MB: I host regular sessions at my house, and I always encourage people to bring their friends. I try to always meet the new young musicians that come to town. He’s one of the people I’ve met in this way. I like to keep a balance between playing with people of my own generation that I’ve grown up with musically, and I also want to be in the know, see what the young kids are doing, and get inspiration and motivation from that. I like the sharing between musical generations like that, it’s inspiring.