Guitarist Lage Lund’s interest in the writings of Kurt Vonnegut then comes as no great shock to fans of both artists’ individualities. Complexities and paradoxes of the human condition abound in both Lund’s and Vonnegut’s works. Finding ways for his own artistry to interpret and coexist with Vonnegut’s became the focus of Lund’s Jazz Gallery Fellowship Commission project, aptly titled “Rebuild the Rubble.”
The Jazz Gallery: Would you talk a little bit about what sparked the idea for using Vonnegut’s works in the first place, and how you came to conceive of “Rebuild the Rubble?”
Lage Lund: The idea is that so much of the fabric of our society seems to have torn, or has turned out to be in worse shape than we perhaps realized. That constant barrage of abuse our senses are subjected to—emanating from this one orange asshole—can lead to paralysis and inertia.
In a larger perspective, so many things seem not good, pretty bad or terrible. So I think the need is to look to your immediate surroundings—the beauty of the people in your life—and draw strength from that. Otherwise, rebuilding the rubble just seems insurmountable. Kurt Vonnegut’s writing describes all of this so precisely and beautifully and, to me, he also represents a moral authority and voice of reason that is so sorely needed.
TJG: Had this concept to draw inspiration from Vonnegut’s works—and vibe—been brewing for a while?
LL: Initially, I had a series of sketches that I thought to develop into a coherent piece while doing the residency at the [Marcel] Breuer House, but in the end, I really wanted something to start from scratch, and as soon as I had these specific musicians in mind, it made the writing much faster and easier.
TJG: In my non-expert opinion, Vonnegut seems to have this pervasive sarcastic sense of humor in his works that’s generally tinged with tenderness and love, and I could draw many similarities in your music. Had you considered any other similarities while you were incorporating Vonnegut’s works into your own creative narrative?
LL: In my non-expert opinion that’s exactly right, and precisely why I’m drawn to his writing. I pretty much read everything he wrote while in college, but I recently got a book of letters he wrote, and in one of them there is a poem he wrote about his two young daughters. As a father of young daughters, it really resonated with me, and for the first time ever I started toying with the idea of writing music with words.