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A look inside The Jazz Gallery

Posts from the Previews Category

From L to R: Sean Rickman, Miles Okazaki, Craig Taborn, and Anthony Tidd. Photo courtesy of the artist.

This Friday, May 24, The Jazz Gallery is pleased to welcome guitarist Miles Okazaki and his band Trickster back to our stage. The band has a strong history at the Gallery, as it was where they first performed and workshopped the material, as well as celebrated their record release in April 2017. In an interview with Jazz Speaks before the record release concert, Okazaki described the album’s composition’s unique qualities:

Some of these songs are short little tunes, where I spent a really long time on them, but all that remains is what I think of as, you know, hieroglyphs on the cave walls, washed away over the years. You just see a little bit of what remains. There’s one tune on there called “The Calendar,” which pairs a three-note voicing concept and a rhythm concept I’ve been working on for at least ten years. The whole tune is really only four bars long, it just has certain rules about how the harmonies change. Nobody would know this from listening to the tune, it’s a pretty simple tune [laughs].

For this Friday’s performance at the Gallery, Okazaki will be joined by bassist Anthony Tidd and drummer Sean Rickman, with pianist Matt Mitchell filling in for Craig Taborn. Before coming out to hear the band at the Gallery, check out the aforementioned tune, “The Calendar,” in the video below.

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Album art courtesy of the artist.

The Jazz Gallery welcomes saxophonist and composer Godwin Louis in celebration of his debut double-album, Global (Blue Room Music). As a saxophonist, Louis reaches startling depths through his intricately-woven lines and phrases, and his compositions are emotionally charged yet always danceable. Louis attended the Berklee College of Music and went on to study at the Thelonious Monk Institute of Jazz, and has played and toured with Herbie Hancock, Clark Terry, Ron Carter, Madonna, Mulatu Astatke, Wynton Marsalis, and more.

Louis has lived in Haiti, Harlem, Connecticut, and New Orleans, and through Global, Louis explores all of these places and beyond, to the music and culture of people from West and Central Africa, Brazil, and islands in the Pacific and Caribbean. Global is about looking at the sounds of the African diaspora, beyond the slave trade ands its horrors, to its influences on pop culture. Discussing the new album, Louis notes that “Global focuses on and explores the history of music in the American continent. It traces the roots via West Africa, and its journey through the four hubs of music in the Americas: Congo Square/New Orleans, Santiago de Cuba, L’Artibonite/Haiti, and Bahia/Brazil.”

For Louis, everything was on the table, and no tradition, people, or way of music-making was left unconsidered. “This is about my traveling experiences all over the world. I’ve been to 100 countries as of now. I have so many stories, some sad, some triumphant. So did our ancestors. Global is the history of music and culture in the Americas. Cultures that came from Africa, met with indigenous aestheticism, and were refined or rarefied via colonialism, as a result changing the course of music history and culture worldwide.”

At the upcoming show, Louis will present music from the new album with his band featuring Etienne Charles on trumpet, Aaron Goldberg on piano, Joel Ross on vibraphone, Jonathan Michel on bass, and Charles Haynes on drums. (more…)

Photo by Jonathan Chimene (courtesy of the artist)

This Friday, May 17, The Jazz Gallery welcomes pianist Ethan Iverson and his quartet back to our stage for two sets. This spring, Iverson has been busy performing Pepperland, choreographer Mark Morris’s acclaimed Beatles tribute, for which Iverson wrote and arranged the music. You can check out a podcast with Iverson talking about the music, below:

For this performance at the Gallery, Iverson will convene his current New York-based working quartet, featuring saxophonist Dayna Stephens, bassist Ben Street (filling in for Thomas Morgan), and drummer Eric McPherson. Iverson played the Gallery with this band back in September, and told Jazz Speaks about what it was like to work with these particular players:

Eric McPherson is a real jazz drummer. It’s sort of corny to talk about this, but he’s one of those guys that lives his life and plays the drums with the same texture. That’s what they used to do, actually. Now most of us are quite divided—we’re very Western in our roles. But when I hang out with the old school jazz greats, there’s less division between who you are as a person and the way you play. Of someone remotely in my age group, E-Mac is just about as close as anybody to having that feeling.

What’s hip about Dayna is that he’s got a real sense of fun play in his abstraction. I think Wayne Shorter is a real reference for him; I never played with Wayne, but when I’m comping for Dayna I’m like, “Oh, man, maybe this is like I’m comping for Wayne.” He’s sort of got this elliptical thing, but Dayna’s also really fun. That aspect reminds me of my old friend Bill McHenry, who can be a goofball sometimes. I love that.

The group plays a mix of Iverson originals and standards, and for this performance, Iverson has brought in a few new tunes, including the drolly-titled “It Was the 70’s” and “Technically Acceptable.” (more…)

Photo by Una Stade, courtesy of the artist.

This Thursday, May 16, The Jazz Gallery welcomes vocalist Arta Jēkabsone back to our stage for two sets. Having just finished her undergraduate studies at The New School, Jēkabsone will present a new series of compositions entitled My Suite. Reflections. In a Walt Whitman-esque turn, this work aims to articulate outward the inner multiplicities of Jēkabsone’s personality.

This self-reflection has found Jēkabsone utilizing a larger compositional palette. In addition to her working band of pianist Theo Walentiny, guitarist Lucas Kadish, bassist Hwansu Kang, and drummer Connor Parks, Jēkabsone will be joined in this performance by a string quartet, adding a layer of lushness to her bright and lyrical material. Don’t miss this opportunity to hear a burgeoning vocalist and composer stretch her craft in new directions. (more…)

Photo courtesy of the artist.

This Saturday, May 11, The Jazz Gallery welcomes pianist John Escreet back to our stage. Escreet is a composer & improviser of eclectic tastes, as comfortable building psychedelic textures will electronic instruments as he is creating collaborative, acoustic music in real time. Escreet’s most recent album, Learn To Live (Blue Room Music), embraces an electrified sound world with a top-notch band including saxophonist Greg Osby, trumpeter Nicholas Payton, bassist Matt Brewer, and a double drum team of Eric Harland and Justin Brown.

For his performance at the Gallery however, Escreet leans into the open and mysterious with a trio featuring the influential British saxophonist Evan Parker and do-anything percussionist Ches Smith. The group is likely to draw on material from Escreet’s recent pair of Sunnyside recordings, The Unknown and Sound, Space and Structures, both of which featured Parker. (more…)