Steve Coleman needs no introduction. As one of the most formidable improvisational thinkers of the past few decades, he has left an immeasurable impact on the modern jazz scene today with his incisive perceptions and research into the rhythms of music of the African diaspora, as well as his forward-thinking conceptions of just about every other parameter concerning contemporary improvisors negotiating their relationship to this music known as jazz. Drummer Billy Hart is quoted as saying of Steve:
Steve Coleman’s way of playing is so influential. You’ve got the Wynton Marsalis regime, and the strongest force other than that is Steve Coleman. He’s produced Vijay Iyer. That’s Steve Coleman. I mean we could name anybody, they’re influenced by him. You could name Greg Osby, and there’s Jason Moran. I mean Scott Colley, Marvin “Smitty” Smith, Robin Eubanks, Dave Holland is even influenced by that. As a concept, that’s totally Steve Coleman’s Arguably, Dave Binney is influenced by that as a concept, definitely that’s Steve Coleman. It’s incredible. There’s a group in Belgium called Aka Moon, and they sound like Dave. They all have influenced this whole thing. Danilo Perez, I mean that whole concept is that. Jeff Watts, Branford Marsalis, Ravi Coltrane, that’s all Steve Coleman’s influence as far as I’m concerned. (Being Here, 260)
Steve is one of 25 featured interviewees in Radhika Philip‘s Being Here (2013), a study into creativity and improvisation in the contemporary New York city scene. Many of her interviewees are alumni of The Jazz Gallery, and full list itself is rather remarkable: Andy Bey, Ben Monder, Billy Hart, Bill Frisell, Brian Blade, Butch Morris, Chris Potter, Dafnis Prieto, David Binney, Dave Douglas, Gregoire Maret, Henry Threadgill, Jane Ira Bloom, Jason Moran, Kenny Wollesen, Maria Schneider, Mark Turner, Robert Glasper, Steve Coleman, Thomas Morgan, Vijay Iyer, William Parker. (more…)
Photo by Vincent Soyez
Next Friday and Saturday, September 13th and 14th, pianist Fabian Almazan will give premiere performances of new works he composed at the Gallery back in February as part of the 2012-13 Jazz Gallery Residency Commissions. He will be joined by vocalist Camila Meza as well as a 16-piece choir. His performances will follow the premiere performances of “Threefold” this Friday and Saturday, which was composed by David Virelles also as part of our 2012-13 Commissions program.
We caught up with Fabian by phone to talk about how the Residency went and what the audiences can look forward to hearing next weekend.
The Jazz Gallery: Can you tell us a bit about the music you wrote during your residency?
Fabian Almazan: I decided to compose for voice. In the past, I’ve done orchestral writing and trio and all sorts of different instrumental variations. I had never tried to compose for voice, so it’s a bunch of music for Camila Meza’s ensemble from Chile. The majority of the concert is duets between her and me, and the final song is with a 16-piece choir. Also, all of the music is in Spanish, and I wrote the majority of the lyrics except for one of the pieces. (more…)
When asked in a recent interview what music meant to him, Clarence Penn replied, “I mean, music for me is existence. It’s life. It’s everything to me…All the good and the bad, like life.”
Penn, a native of Detroit, might best be known for his versatility and sensitivity as a drummer, having performed and recorded with a diverse range of artists in and around the jazz world: Betty Carter, Maria Schneider, Michael Brecker, Ellis and Wynton Marsalis, Luciana Souza, and many others. His latest recording as a leader, Dali in Cobble Hill (2012), features an all-star cast comprised of Chris Potter, Adam Rogers, and Ben Street, and he is planning to release a new album in the near future that will feature the music of Thelonious Monk.
Read more about Clarence Penn and his Monk project here.
Clarence Penn performs at The Jazz Gallery this Saturday, August 3rd, with Gregoire Maret (harmonica), Chad Lefkowitz-Brown (tenor saxophone), Gerald Clayton (piano), and Yasushi Nakamura (bass). Sets at 9 and 10:30 p.m., $20 general admission and FREE for Members and SummerPass holders. Purchase tickets here.
Photo by Mark Niskanen
We are pleased to announce that The Jazz Gallery has been featured in two videos from the Rockefeller Brothers Fund: Artists in Motion and A Pivotal Role: Arts in New York City!
Founded in 1940, the Rockefeller Brothers Fund operates on a mission to advance “social change that contributes to a more just, sustainable, and peaceful world.” The organization supports work in the areas of “Democratic Practice,” “Peacebuilding,” and “Sustainable Development,” and is active in three regions of the world: New York City, Western Balkans, and Southern China. The Jazz Gallery is supported by the Charles E. Culpeper Arts & Culture Grants, which are a part of the Rockefeller Brothers Fund’s New York City Pivotal Places initiative. The Culpeper grants “support the creative process, build the capacity of small and mid-size arts and cultural institutions, and support the pursuit of the creative life.”
The videos spotlight The Gallery and three other beneficiaries of Rockefeller Brothers Fund support - Creative Time, Gallim Dance, and the Spanish Theatre Repertory Company – all of whom are enabled by Culpeper Arts & Culture Grants.
Watch both videos, which feature the vocalist Claudia Acuña and The Jazz Gallery’s Executive Director Debbie Steinglass, here.
Photo by Mark Niskanen
Our Home Run Benefit (to be held on June 13th) has been featured in the ArtsBeat section of The New York Times! James C. McKinley, Jr. writes:
Ravi Coltrane, Roy Hargrove and Vijay Iyer are among the jazz players who will perform at a benefit concert on Wednesday for the Jazz Gallery, a small nonprofit performance space in SoHo that has played an influential role in developing New York’s jazz talent for the last 17 years. The concert will be held at the Schomburg Center for Research in Black Culture in Harlem at 6:30 p.m., and the tickets range in price from $45 to $250. The Jazz Gallery has been housed in a 2,000-square-foot loft at 290 Hudson Street since its founding but will lose its lease at the end of the year because the building has been rezoned and is being converted into residential lofts, said the executive director, Deborah Steinglass. The organization has set out to raise $250,000 to pay for the move and retire its accumulated debt. A new space has yet to be found, and, to remain in Manhattan, the nonprofit’s rent costs — now running about $68,000 a year — are likely to rise significantly, putting pressure on the group’s $480,000 a year budget, Ms. Steinglass said. The gallery’s mission is to nurture young jazz players, providing not only a performance space but residencies. It has been an incubator for some of the best contemporary jazz players in the city, among them the drummer Dafnis Prieto, the saxophonist Miguel Zenón and the pianist Jason Moran.
Tickets are still available, including a limited number of premium seats, as well as $45 concert-only tickets for persons under 30. Don’t miss your chance to hear this all-star lineup performing in support of “an incubator for some of the best contemporary jazz players in the city”!
Reserve your tickets here.