David Leon is a Cuban-American saxophonist, woodwinds player, and composer/improviser, born in Miami, Florida and living in Brooklyn, New York. Leon is a busy sideman around New York as well as a full-time member of several ensembles including Threeplustwo and Sound Underground. Leon is no stranger to The Jazz Gallery, having participated in The Jazz Gallery’s Mentoring Series in 2018, performing alongside pianist Kris Davis.
This week, Leon will bring a new band to The Jazz Gallery to present his first show as a leader on the Gallery stage. The band features Leon on saxophone plus Sonya Belaya on piano, Florian Herzog on bass, and Stephen Boegehold on drums. The new quartet is a laboratory for improvisational experimentation, such as extended solo playing, disruption, and unison, all in search of increased mobility and expression within the band dynamic. We caught up with Leon on the phone while he was on tour with another of his bands, Threeplustwo.
The Jazz Gallery: Thanks for making time to chat! Where are you today?
David Leon: I’m in North Carolina with my band Threeplustwo. It includes two of my college roommates, and one of my college roommates’ siblings—he’s a triplet. We’re down here playing some shows, and today is our first day.
TJG: It’s funny, I interview a lot of people, but I rarely, if ever, hear of anyone playing in North Carolina.
DL: That’s hilarious. I don’t know what the scene is down here, but we ate some nice ‘craft ice cream’ today, and have been playing pool and practicing. We’re playing mostly colleges, as well as a place called Sharp Nine Gallery in Durham, another place in Durham, and a show in Baltimore. It’s three shows, seven masterclasses, and an excuse to hang out.
TJG: What’s the music like? What are the classes all about?
DL: The ensemble is a chamber jazz ensemble. I play saxophone, Jonah Udall plays guitar, Lowell Ringel plays upright bass, and the other two triplets Ivy Ringel and Evan Ringel, play bassoon and trombone. We come from a bunch of different musical places, but we all meet in the middle. There’s improvisation, but also heavy writing, rather specific writing. Only three of the five are here now, so we haven’t figured out the masterclasses yet, but I think we’ll talk about our writing progress and how we incorporate improvisation. We have a recording that’s been out for a little bit, and this short tour is an opportunity for us to come together and talk about next steps.