Mary Halvorson (L) and Joe Morris (R). Photo courtesy of RogueArt.
This Wednesday, November 28, The Jazz Gallery is pleased to welcome guitarists Mary Halvorson and Joe Morris to our stage for two sets of exploratory duets. The pair is celebrating the release of their spontaneously-composed duo album, Traversing Orbits (RogueArt), recorded this past spring. In the album’s liner notes, cornettist Taylor Ho Bynum (a collaborator with both guitarists) describes Halvorson and Morris’s rapport thusly:
All recordings, especially those of improvised music, try to freeze the sound of a present moment, but invariably melt into the past and the future, real and imagined. Listening to this album, I can’t help but think of the classic meeting of Sonny Rollins and Coleman Hawkins, where two titans of the same instrument across different generations displayed mutual love and respect through stylistic contrast and playful jousting. Or I create a fiction, of Django Reinhardt and Freddie Green crossing paths in some distant hotel, staying up late one night and pushing each other to new ideas. (I don’t make that allusion lightly – for the abundance of virtuosic extended technique, don’t miss the profound swing of the articulated lines and the chunky chords.)
Before coming out to the Gallery, check out an excerpt from Morris and Halvorson’s improvisation “Traces of Three,” below.
Album art by Gaya Feldheim Schorr.
This Thursday, November 15, at The Jazz Gallery, pianist/composer Gabriel Zucker celebrates the release of his newest record, Weighting (ESP-Disk). The record features Zucker’s multi-movement composition inspired by Rachel Kushner’s acclaimed novel The Flamethrowers. Alongside trumpeter Adam O’Farrill, saxophonist Eric Trudel, and drummer Tyshawn Sorey, Zucker conjures moments from the novel with bewitching harmonies and fleet-footed cross-rhythms. Check out the piece’s third movement, “The Stream of New York/and art, of course,” below.
At the Gallery, Zucker and company will play Weighting in entirety for both sets, giving listeners the opportunity to hear this evocative work take on new shadings. (more…)
Photos courtesy of the artists.
On Thursday, November 15, the next edition of The Jazz Gallery Mentoring Series kicks off at The National Jazz Museum in Harlem. This edition features pianist Kris Davis mentoring saxophonist David Leon. Throughout November, the pair will play in four different configurations, from duo to quartet. The ensembles will feature many of Davis’s regular collaborators, including drummers Tom Rainey and Tomas Fujiwara, saxophonist Ingrid Laubrock, and bassist Michael Formanek.
Like Davis, Leon is an improviser of enthusiastic versatility and catholic taste. He leads his own post-bop quartet, performs with the collaborative trio Sound Underground, and frequently convenes groups for free improvisation. A native of Miami, Florida, and a graduate of the University of Miami’s Frost School of Music, Leon has won an ASCAP Herb Alpert Award for jazz composition and performed at the 2017 Newport Jazz Festival. Sound Underground has just released their third album as a group, which you can check out below.
Photo via burning ambulance.
For over thirty years, saxophonist and composer Hafez Modirzadeh has a forged a distinctly personal musical practice that he calls Chromodality. In this system, western equal temperament collides with other tuning systems from around the world, expanding the expressive possibilities of harmony and color within an improvisational environment. Over his past three albums on Pi Recordings, Modirzadeh has incorporated tunings from Iraqi maqam, Persian dastgah, and Iberian traditional musics. With collaborators like Amir El-Saffar, Vijay Iyer, and the string quartet ETHEL, these multi-modal musical explorations buzz with the excitement of limitless possibility.
This weekend at The Jazz Gallery, Modirzadeh will present a new a project—The Pulsivity/Resonance Project. Over the course of four sets, Modirzadeh will play a set of compositions for saxophone and retuned piano with four different pianists—Leo Genovese, Peter Apfelbaum, Diane Moser, and Tyshawn Sorey. Each pair will play the same compositions, which in turn are all based around a uniquely-tempered eight-note scale. Over the course of the weekend, these compositions will take on new colors and shapes, stretching their structure into multiple dimensions. Before coming out to experience this music, watch Modirzadeh explain elements of his chromodal musical practice below.
Photo courtesy of the artist.
This Thursday, November 8, The Jazz Gallery welcomes saxophonist/composer Felipe Salles and his new large ensemble to our stage to celebrate the release of The Lullaby Project and Other Works for Large Ensemble (Tapestry). A native of São Paulo, Brazil, Salles mines the music of his youth for the music on the album—namely traditional Brazilian lullabies. Through deft compositional manipulations, Salles highlights the tunes’ dark underlying qualities, and, in the composers own words, creates “a strong aural image in the listener’s mind.”
Before coming out to the Gallery to hear these psychologically-probing works, check out the album trailer, below.