This month marks the grand finale of The Jazz Gallery 2018-19 Residency Commission projects. On June 28 and 29, vocalist/guitarist Camila Meza will present her new work, entitled Portal, while on June 21 and 22, drummer Kassa Overall will conclude his ongoing Time Capsule project with a concert featuring visual artist Nate Lewis and a slew of special guests. The festivities start this weekend with two evenings of performances by a new trio led by pianist Shai Maestro, featuring trumpeter Philip Dizack and vibraphonist Joel Ross. We sat down with Maestro to talk about the excitement and challenges of writing for this chamber-like instrumentation, and communicating a view of modern life through an abstract medium.
The Jazz Gallery: So how to you treat an event like this? Is this an opportunity? A challenge? A chance to step out of bounds a little bit?
Shai Maestro: Exactly, that’s what it is. Rio Sakairi asked that I do something that I wouldn’t do otherwise. You get funds from The Jazz Gallery through different foundations and that just allows you to sit at home and compose without needing to constantly work. It allows you to explore, experiment, and yeah, step out of bounds even further.
TJG: Will the bigger experimentation be in the instrumentation you’ll be using or in the lack thereof?
SM: I chose to write for Joel Ross and Phil Dizack. It’s going to be a trio—trumpet, vibraphone, and piano. Usually I write for solo piano or trio, but I saw this as an opportunity to experiment with the instruments and moreso than the instruments themselves, with the guys I chose to play with. Both of them are incredibly open-minded and capable musicians that will do a lot with written material and will do a lot with the space you leave for them. I’ve written many songs or melodies with them in mind.
TJG: Before this project started?
SM: No, it had originally started as a duo with Joel, but I thought Phil would be a complimentary sound. It really made sense to me.
TJG: You’ve played with Joel as a duo before, right?
SM: Yeah, it was great. We played tunes mainly. There were a few of my songs but we mostly played standards. Playing standards is always a great opportunity for me to get to know the person I’m playing with on a deeper level because I don’t have any agenda. Whereas with my music, I wrote it, so I have a vision. The goal is to not have an agenda with my music as well, but it’s harder since you know what the song is about. So playing standards with Joel allowed me to communicate with him in a really direct way.